MCA GRADE 7 QUIZ

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MCA GRADE 7 QUIZ

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Question
1 of 70

Question1
What is the name of the note shown here on the alto stave?
- F
- E
- G
- A
- C
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Question
2 of 70

Question2
What is the name of the note shown here on the alto stave?
- G
- F
- B
- A
- D
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Question
3 of 70

Question3
What is the name of the note shown here on the tenor stave?
- G
- C
- F
- D
- A
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Question
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Question4
What is the name of the note shown here on the tenor stave?
- E
- G
- F
- C
- D
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Question5
What major key signature is this?
- Gb
- Db
- A
- Bb
- B
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Question6
What minor key signature is this?
- D#
- A#
- C#
- B
- E
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Question
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Question7
This is the comfortable range of which instrument?
- Violin
- Viola
- Cello
- Double Bass
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Question8
This is the comfortable range of which instrument?
- Violin
- Viola
- Cello
- Double Bass
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Question9
This is the comfortable range of which instrument?
- Violin
- Viola
- Cello
- Double Bass
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Question10
This is the comfortable range of which instrument?
- Violin
- Viola
- Cello
- Double Bass
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Question11
This is the comfortable range of which instrument?
- Trumpet
- Tenor Saxophone
- Trombone
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Question12
This is the comfortable range of which instrument?
- Trumpet
- Tenor Saxophone
- Trombone
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Question13
This is the comfortable range of which instrument?
- Trumpet
- Tenor Saxophone
- Trombone
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Question14
What does this notation mean?
- Play softly.
- Begin the note with emphasis and then drop in volume.
- Short and detached.
- Below pitch.
- Play consistently.
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Question15
What does it mean when two scales are parallel?
- They begin on the same tonic note, even though the scale qualities are different, like major and minor.
- They begin on a different tonic note and share the same quality.
- Both scales must be symmetrical.
- Both scales contain the same amount of notes.
- Both scales are identical.
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Question
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Question16
Which answer below best describes modal interchange?
- When a melody or chord progression is strictly diatonic.
- When a melody or chord progression is always played in the mixlydian mode.
- When a melody or chord progression uses notes and chords from two keys that are parallel to each other.
- When the melody and chord progression static.
- When a piece of music has 3 sharps or more.
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Question
17 of 70

Question17
Which answer below best describes what a functioning dominant 7th is?
- When a V7 chord resolves to the tonic I chord of the key.
- When a V7 chord resolves to anything other than the tonic I chord of the key.
- When a V7 chord never resolves.
- When a V7 chord is the last chord in a song.
- When a V7 chord resolves by a major 6th.
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Question
18 of 70

Question18
Which answer below best describes what a secondary dominant is?
- When all dominant chords are avoided in a chord progression.
- When a V7 chord resolves to the tonic I chord of the key.
- When a V7 is the second chord in the song.
- A functioning dominant 7th chord that resolves to a chord other than the tonic I chord of the key.
- A non functioning dominant 7th chord that moves to the I chord by a major 2nd.
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Question19
A tritone substitution can also be referred to as a b5 substitution. True or false?
- True.
- False.
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Question20
A tritone substitution is when we swap a functioning dominant 7th chord for another dominant 7th chord a tritone (b5) away. Which chord is a tritone substitution for C7?
- A7
- Ab7
- G7
- Gb7
- F7
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Question
21 of 70

Question21
What is the name of this scale?
- F natural minor.
- F harmonic minor.
- F minor pentatonic.
- F blues.
- F melodic minor.
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Question
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Question22
What is the name of this scale?
- D natural minor.
- D harmonic minor.
- D minor pentatonic.
- D blues.
- D melodic minor.
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23 of 70

Question23
What is the name of this scale?
- E natural minor.
- E harmonic minor.
- E minor pentatonic.
- E Blues.
- E melodic minor.
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Question
24 of 70

Question24
What is the name of this mode?
- A Ionian.
- A Lydian.
- A Phrygian.
- A Mixolydian.
- A Aeolian.
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Question25
Which answer below best describes what a compound interval is?
- An interval larger than one octave.
- An interval smaller than one octave.
- An interval the size of a 5th or smaller.
- An interval the size of a 6th or smaller.
- A unison.
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Question
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Question26
Which interval sizes below are compound intervals?
- 2nd, 3rd, 4th.
- Unison, 7th, Octave.
- 9th, 10th, 11th, 13th.
- 5th, 6th, 7th.
- 2nd, 6th, Octave.
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Question27
If we inverted a perfect interval, what quality would the inverted interval be?
- Major
- Minor
- Diminished
- Augmented
- Perfect
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Question
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Question28
What is the size and quality of this interval?
- Minor 7th
- Major 7th
- Perfect Octave
- Minor 9th
- Major 9th
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Question
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Question29
What is the size and quality of this interval?
- Minor 9th
- Major 9th
- Perfect 11th
- Minor 13th
- Major 13th
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Question
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Question30
Simple intervals and their related compound intervals share the same quality. True or false?
- True
- False
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Question
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Question31
What type of chord voicing is this?
- 4-way close
- Drop voicing
- Root position triad
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Question
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Question32
What is the name of this chord?
- Cmaj9(#11)
- C13
- Cmin9
- Cmin9b5
- C+11
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Question
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Question33
What is the name of this chord?
- F9
- Fmaj9
- Fmin9
- Fmin7b5
- Fdim7
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Question
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Question34
What is the name of this chord?
- Amin9b5
- Amaj9#5
- Adim7
- A7(sus4)
- Amin9
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Question
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Question35
What is the name of this chord?
- Dmin(add2)
- D(sus4)
- Dmaj7
- Dmin11
- D5(add2)
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Question
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Question36
What is the name of this chord?
- Bmin11
- B11
- Bmin7
- Bmaj9(#11)
- Bmin9b5
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Question
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Question37
What is the name of this arpeggio?
- G13(sus4)
- Gmaj9
- G7
- Gmin9
- Gmin7b5
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Question
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Question38
What is the name of this arpeggio?
- Bbmaj9(#11)
- Bb7(sus4)
- Bbmin9
- Bbmaj7
- Bbmin(add2)
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Question
39 of 70

Question39
This chord progression is in the key of G major. What is the correct analysis?
- Imaj7, IVmaj7, IImin7, bII7, I6
- IIImin7, IVmaj7, Imin, V7, Imaj7
- Imaj7, VImin7, IImin7b5, V7, I6
- I7, IV7, V7, IV7, I7
- Imaj7, IVmaj7, bIIImaj7, VImin7, I6
Correct

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Question
40 of 70

Question40
This chord progression is in the key of A major. What is the correct analysis?
- I, IV, bIII, bVI, bVII, V, I
- I, bIII, bVI, bVII, V, I, IV
- I, IIImin, IV, bVI, V, III, I
- bIII, bVI, bVII, V, I, IV, I
- V, IV, III, II, I, IVmin, I
Correct

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Question
41 of 70

Question41
What is the correct time signature for this example?
- 12/8
- 9/8
- 6/8
- 5/4
- 3/4
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Question
42 of 70

Question42
What is the correct time signature for this example?
- 7/4
- 4/4
- 9/8
- 12/8
- 7/8
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Question
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Question43
What is wrong with this bar?
- It contains too many beats.
- It is beamed poorly.
- The note stems are in the wrong direction.
- Nothing, it is fine as it it.
- It is missing a minim.
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44 of 70

Question44
Which answer best describes the 3/8 time signature?
- Simple triple.
- Compound triple.
- Simple quadruple.
- Compound duple.
- Simple duple.
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Question
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Question45
Which single note is equal in duration to this septuplet?
- Minim
- Crotchet
- Quaver
- Semibreve
- Semiquaver
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Question
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Question46
Which techniques are being used by the violin and viola in bar 1?
- Legato and staccato.
- Tremolo and sforzando.
- Pizzicato and harmonics
- Glissando and tremolo.
- Harmonics and legato.
Correct

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Question
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Question47
Which bar contains the tremolo bowing technique?
- Bar 1
- Bar 2
- Bar 3
- Bar 4
- Bar 5
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Question
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Question48
Which technique is being used in the violin and viola parts in bar 2?
- Glissando / Portamento
- Staccato
- Pizzicato
- Tremolo
- Harmonics
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Question
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Question49
Which bar in the cello and double bass part is instructing the notes to be plucked with the fingers?
- Bar 1
- Bar 2
- Bar 3
- Bar 4
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Question
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Question50
There is an instruction missing in the last bar, telling the cello and double bass players to use the bow. What is the missing instruction?
- Arco
- Vibrato
- Pizzicato
- Forte
- Fermata
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Question
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Question51
The written notation says the first two notes are C. Which notes would these sound like on a piano?
- Bb
- Eb
- Ab
- C
- D
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Question
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Question52
How is legato achieved in bar 1?
- By blowing through the note changes. Not using the tongue to trigger each new note.
- By blowing through the note changes while using the tongue to trigger each new note.
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Question
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Question53
Which technique is being used on the last note of bar 1?
- Fall-off
- Scoop
- Staccato
- Growl
- Flutter tongue
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Question
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Question54
How is the flutter tongue technique achieved in bar 2?
- By rolling the tongue while blowing, creating an 'rrrrrr' sound.
- By humming while blowing the notes.
- By blowing softly.
- By allowing most of the air to escape through the nose.
- By swinging the instrument left and right very quickly.
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Question
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Question55
What does ‘sfz’ mean in bar 2?
- Sforzando: To emphasise the note then drop in volume.
- Sforzando: To scoop into the note.
- Sforzando: To play quickly.
- Sforzando: To play out of tune.
- Sforzando: To play with as much volume as possible.
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Question
56 of 70

Question56
How is the growl effect achieved in bar 3?
- By humming while blowing the notes.
- By rolling the tongue while blowing, creating an 'rrrrrr' sound.
- By blowing softly.
- By allowing most of the air to escape through the nose.
- By swinging the instrument left and right very quickly.
Correct

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Question
57 of 70

Question57
The quavers (8th notes) in this example should be played straight and evenly spaced. True or false?
- True.
- False.
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Question
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Question58
This is a 12-bar, G blues progression. How would we analyse the G7, C7 and D7 chords respectively?
- I7, IV7, V7
- I7, III7, IV7
- II7, V7, VI7
- III7, II7, I7
- I7, VI7, II7
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Question
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Question59
Why are there so many Db notes as well as D natural notes in the melody?
- Because the melody is derived from the G blues scale, which has a b5 and natural 5 within the scale.
- Because the melody is derived from the G major scale, containg all flat notes.
- Because the melody is derived from the A blues scale, which includes the note Db.
- Because the melody is derived from the G harmonic minor scale, which has a b5 and natural 5 within the scale.
- Because the melody is derived from the F Mixolydian.
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Question
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Question60
What is the name of the small note at the very beginning of the melody?
- Acciaccatura / grace note
- Accent
- Tenuto
- Mezzo-piano
- Tremolo
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Question
61 of 70

Question61
What technique is being used on the last note of the melody in bar 13?
- Vibrato
- Portamento
- Tremolo
- Legato
- Staccato
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Question
62 of 70

Question62
Using the notes in the bass clef and the arpeggio in the treble clef, what is the chord being played in bar 1?
- Cmaj9(#11)
- Cmin9
- C7(sus4)
- Cmin11
- C9
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Question
63 of 70

Question63
This example is in the key of G major. What is the analysis of the second chord in bar 2?
- V7/VI
- bII7/III
- V7
- VImin7
- IIImin7
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Question
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Question64
This example is in the key of G major. What is the analysis of the first chord in bar 4?
- bVImaj7
- bIIImaj7
- VImin7
- IImin7
- IImin7
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Question
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Question65
This example is in the key of G major. What is the analysis of the first chord in bar 6?
- IIImin7
- IImin7
- Imaj7
- V7
- VIImin7b5
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Question
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Question66
This example is in the key of G major. The second chord in bar 6 is a secondary dominant. True or false?
- True
- False
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Question67
This example is in the key of G major. What is the analysis of the second chord in bar 7?
- bII7
- V7/V
- VImin7
- Imaj7
- IImin7
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Question
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Question68
Bar 2 contains a B7 chord. What would its tritone substitution chord be?
- F7
- D7
- A7
- C7
- G7
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Question
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Question69
What is the name of the chord in bar 8?
- G(add2)
- Gmaj7
- Gmin7
- G7
- G6
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Question
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Question70
This chord progression features modal interchange, secondary dominants and tritone substitution. True or false?
- True
- False
Correct

Incorrect